The gloss, the red, the pout. With Palmer’s videos on lips, the famous line from Deliverance is the only thing that comes to mind: “You got

By Marta de la Parra Prieto Portuguese translation by Vanessa Murias "It just kind of seen like...they didn't know what it felt to be different" "I love, I love you, I love you" That's not only a wish/a verb/a tragedy copied and pasted (ctrt+c, ctrl+v) a hundred times in a sheet of paper (and the fact that we don't have to write it all those times doesn't mean it doesn't hurt to feel so much, so many). I like the word BITCH slapped onto a piece of paper, slapped then on peopl

BY MARTA DE LA PARRA PRIETO TRANSLATED FROM ENGLISH TO PORTUGUESE BY VANESSA MÚRIAS “I am interested in how Ingrata Bergman uses social media and pop culture as a medium for political art. She turns major issues in today´s world into raw and joyful video art. Her work is striking, ironic and truly refreshing.” Introduction by Helena Lacy, former Galeria das Minas interviewee, September Edition. GdM: When you set yourself within the art system, how do you identity? is it as a

“Helena Lacy’s sculptures are hypnotising. The organic shapes seem to merge in itself and overflow to the viewer show the power of her works

“Victoria Cribb's afro-futuristic aesthetic gives us hope for change, creating an otherworldly experience, positioning black women, which we